{"id":225,"date":"2015-12-19T11:48:25","date_gmt":"2015-12-19T11:48:25","guid":{"rendered":"http:\/\/blogs.smbosque.es\/musica\/?p=225"},"modified":"2015-12-19T11:48:25","modified_gmt":"2015-12-19T11:48:25","slug":"indice-trabajo-2o-evaluacion-la-musica-en-el-barroco","status":"publish","type":"post","link":"https:\/\/blogs.smbosque.es\/musica\/2015\/12\/19\/indice-trabajo-2o-evaluacion-la-musica-en-el-barroco\/","title":{"rendered":"INDICE TRABAJO 2\u00ba EVALUACI\u00d3N \u00abLA M\u00daSICA EN EL BARROCO\u00bb"},"content":{"rendered":"<p>&nbsp;<\/p>\n<ol>\n<li>INTRODUCCI\u00d3N<\/li>\n<li>DESARROLLO\n<ul>\n<li>CARACTERISTICAS GENERALES DEL BARROCO\n<ul>\n<li>CONTEXTO HIST\u00d3RICO<\/li>\n<li>CONTEXTO CULTURAL<\/li>\n<li>CONTEXTO MUSICAL\n<ul>\n<li>LA TRANSICION DEL RENACIMIENTO AL BARROCO<\/li>\n<li>M\u00daSICA VOCAL RELIGIOSA S. XVII<\/li>\n<li>NACIMIENTO DE LA OPERA<\/li>\n<li>M\u00daSICA INSTRUMENTAL<\/li>\n<li>LA TRANSICION DEL BARROCO AL CLASICISMO<\/li>\n<\/ul>\n<\/li>\n<li>COMPOSITORES DESTACADOS DEL SIGLO XVII\n<ul>\n<li>ITALIA<\/li>\n<li>ALEMANIA<\/li>\n<li>INGLATERRA<\/li>\n<li>FRANCIA<\/li>\n<li>ESPA\u00d1A<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<ol start=\"3\">\n<li>CONCLUSI\u00d3N<\/li>\n<li>BIBLIOGRAFIA<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; INTRODUCCI\u00d3N DESARROLLO CARACTERISTICAS GENERALES DEL BARROCO CONTEXTO HIST\u00d3RICO CONTEXTO CULTURAL CONTEXTO MUSICAL LA TRANSICION DEL RENACIMIENTO AL BARROCO M\u00daSICA VOCAL RELIGIOSA S. XVII NACIMIENTO DE LA OPERA M\u00daSICA INSTRUMENTAL LA TRANSICION DEL BARROCO AL CLASICISMO COMPOSITORES DESTACADOS DEL SIGLO XVII ITALIA ALEMANIA INGLATERRA FRANCIA ESPA\u00d1A CONCLUSI\u00d3N BIBLIOGRAFIA<\/p>\n","protected":false},"author":47,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-225","post","type-post","status-publish","format-standard","hentry","category-3o-eso"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/posts\/225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/comments?post=225"}],"version-history":[{"count":1,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/posts\/225\/revisions"}],"predecessor-version":[{"id":226,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/posts\/225\/revisions\/226"}],"wp:attachment":[{"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/media?parent=225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/categories?post=225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.smbosque.es\/musica\/wp-json\/wp\/v2\/tags?post=225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}